Category Archives: Art Global

Young Curatorial Assistant: Alli Peller

Her name may not appear on the press release, but Allison Peller has been critical to the organization of the New.New York exhibit (curated by Artist / Photographer / Curator / Educator, John Silvis) at the Essel Museum in Vienna. With the exhibit (open NOW, since November 23rd) quickly approaching, I wanted to get a few words from Allison on the experience of assisting with this exhibition, and her path as a worker in the cultural field.

 

Allison Peller was born in Washington on military base Fort Lewis and has lived in Missouri, and Maryland. Ms. Peller, her siblings, the Dr., and Mrs. Peller eventually returned to Washington State, for a time. The family now resides in Wisconsin and Minnesota.

The first time Ms. Peller came to New York was as a 5-year-old child with her family. During this visit they attended an exhibition of Monet’s bridges at the Metropolitan Museum of Art. The work left an impression on her young mind, noting, even then, the aesthetic difference that it made, “As Monet started going blind.” They visited the Museum again when she was in Middle school, on another family trip, and she knew then that she truly loved New York, and the art that was accessible there.

A story her father likes to tell, which follows their first trip to New York, is of an incident where he pointed to an art print, proclaiming, “Look! It’s a Monet!” Allison calmly corrected him, “No Dad, that’s not a Monet, it’s a Manet.” This is the moment it became clear to her family that her interest went beyond the children’s books, but stretched into a real curiosity of the field. Her confidence in this direction came later as she matured and explored her options for further study.

She attended Bethel University’s undergraduate program for Art History, and Studio Art in Minnesota. She choose the program specifically for the advantage of spending a semester in New York at their Center for Art and Media Studies (NYCAMS). She thought that the semester would quench her love of the big city, seeing her self as more of a “country mouse,” but instead she fell in deeper love, and returned to New York upon graduation for a post-baccalaureate fellowship for curatorial studies under the mentorship of NYCAMS director, John Silvis.

While still in her undergraduate studies, she was trying to be “practical,” by exploring interior design and other applied versions of her creative bent. But it was futile. When she finally faced that fine art history was indeed her passion, and she should be pursuing curatorial work “for real”  – she obtained an internship under the museum director at her university, and later went on to an internship at the Pace Gallery in New York, where she also was employed until recently when she began working as a freelance curatorial assistant.

Her Post-Baccalaureate fellowship began in the Fall of 2009 under the mentorship of John Silvis. She started as an assistant for the exhibit “Incarnational Aesthetics,” and culminated with her own curatorial project “Regeneration: Root Beer Float Social,” in the Spring of 2010. During this period she became the point-person for events such as a fashion show, curated exhibits, and student shows; also facilitating the transport of work and the website updates for each project. Although she had co-curated an exhibit during her internship with the Bethel University Museum, drawing from their collection, “Regeneration” was the first time she had the freedom to make curatorial decisions on her own, building an exhibit that she could truly take ownership of. In her words, “I felt like it looked really good once it was up. It felt really good.”

In the instance of the current Essel Museum exhibition, New.New York, Ms. Peller again came on board as an assistant to John Silvis, but on a scale that she had not yet worked. There are 19 artists in the exhibition (two of which work together as a collaborative team,) all working in New York, with several installation works being installed on-site, in Vienna, opening this Thanksgiving week. Silvis brought Ms. Peller on-board early-on to aid in preparation such as studio visits, (taking measurements, photo documentation,) managing images and videos for their Tumblr page, and keeping details organized for the shipment of work. Peller also assisted Silvis in the portrait sessions for each artist, which would be included in the catalog for the exhibition.

The Essel Museum is hosting the exhibition as a part of their emerging artist series as an example of the work currently coming out of New York City. What ties this group together is not necessarily their “young” or “emerging” status, rather their aesthetic ties to a New York heritage while contemporarily “re-imagining how they use their medium. For example, the Ladd Brothers use beading, textiles, and ribbon,” which, “came out of a [garment/fashion-related practice,] and used those influences to make these really beautiful stacking sculptures.” Another example she gives is of Robin Kang’s brick installations that are essentially built of photographs of bricks printed on acetate and used to construct new structures. Overall the exhibit focuses on this act of “changing the formal paremeters” or giving a new twist to familiar material; Keeping the definition of the New York art scene open to the entire city, not just one borough, furthermore, not one industrial zone.

Allison Peller had prior experience working with a few of the artists who were on the exhibition roster, and plans to build on those relationships. (This includes Reid Streilow, who was also among the artists in her Regeneration exhibit.) She also hopes to continue to put herself in the way of Silvis, as he has played a critical role as a mentor to Peller. She has only begun investigating graduate programs for Art history, but will continue to be actively involved with emerging artists, making studio visits, and building her own curatorial values and style as she emerges onto the New York art scene herself.

New. New York, Curated by John Silvis

Essl Museum, Vienna, Austria
November 23, 2012 – March 31, 2013
Opening Reception: November 22, 2012 from 6-8pm
Gartenbaukino film screenings November 23, 2012 9pm

[photo courtesy of the Essel Facebook page]

Artists:
Jude BroughanVince ContarinoBrent Everett DickinsonRob FischerRyan FordEgan FrantzRico GatsonRobin KangSteven and William LaddSarah LeeChristopher McDonaldAnn PibalLisa SigalShelly SilverReid StrelowSiebren VersteegLetha WilsonTamara Zahaykevich.

“New York, often described as the world capital of contemporary art, is the focus of exhibition activity in the Essl Museum this autumn. NEW. NEW YORK offers an insight into the work of 19 young artists from New York. A vibrant young art scene has developed in Bushwick, Brooklyn, in recent years, with numerous ateliers, culture initiatives and alternative art spaces. It is here that the American artist and curator John Silvis made his selection of artists for the coming exhibition in the Essl Museum.

All 19 artists are at different stages of their careers; what they share is that they use familiar materials and media in their work in an often surprising form, and in doing so produce “something new” in order to distinguish themselves from the traditional art canon and to develop their own forms of artistic expression. They all work with familiar media such as painting, photography, sculpture etc., but they change the formal parameters, combining, for example, materials such as concrete and photography in a refreshing way. The fascination with presence and the object seems to be an apt investigation in our media saturated landscape accentuating the absence of the human hand.  The work in New.New York does this by deconstructing existing art genres, slowing down time, re-purposing material and resurrecting old technologies, without attempting to issue its own manifesto, instead the viewer is presented with diverse artistic visions and forges anticipation for the unexpected by infusing art objects with the potential of transformation.”

Related Links:
http://www.essl.museum/english/exhibitions/newnewyork.html
http://newnyc.tumblr.com

Action Points to Protect Women’s Rights in the Arts

I recently signed a petition to end sexism in media via the Miss Representation website. They followed up with me – providing a list of action items. Below, I have adapted their list – translating it for the visual arts… I think I like #4 the most.

1. Tell people about exhibits of women’s art work.

2. Parents- attend exhibits with your children.  Take note of who it is that made the work, and raise the question with your kids if you don’t see any female names. Also note how women are depicted.

3. Remember your actions influence others. Mothers, aunts and loved ones- don’t downgrade or judge yourself by your looks. Fathers, uncles and loved ones—treat women around you with respect.  Remember children in your life are watching and learning from you.

4. Use your consumer power. Stop buying tabloid magazines and watching shows that degrade women. Go see movies that are written and directed by women (especially on opening weekend to boost the box office ratings). When possible, buy art directly from young female artists. Avoid products that resort to sexism in their advertising.

5. Mentor others! It’s as easy as taking a young woman to lunch. Start by having open and honest conversations with a young person in your life.

Young Project Profile: UNTITLEDdialogue

UNTITLED:dialogue is a one-year project organized by Jessie Yang and He Yu.

This duo met at New York Univeristy’s Steinhardt Graduate school for Visual Arts Management. Both originally from China, (Shanghai and Sichuan, respectively,) they had the idea to create a monthly forum for further dialogue that centered around Contemporary Asian Art being created locally, in New York. They have garnered a list of over 250 in their network, and growing. Their events have had between 70-80 people show up, which has increased from about 20 at the first event.

“We hope to create a space where artists and the public could meet and interact in an informal setting, with more possibilites for dialogue.”

He Yu (also known as Echo) says that attendees have loved the atmosphere for these events. The artists like the attention as well. Some of their artists are in temporary residencies in New York and are looking for opportunities to talk about their ideas outside of the immediate circle of the program they are participating in, and to broaden their network. The second artist in their series, Na Yingyu, is a video artist and connected with a documentary film maker at one event and has made plans to collaborate.

UNTITLEDdialogue, a series of cultural talks with Asian related artists, curators, writers, independent film makers, designers, architects and musicians in New York.”

When they came to New York, Jessie and Echo didn’t find a lot of events specific to Asian Art outside of the larger and more traditional institutions such as the Asia Society. Even less so when it came to contemporary art, including among commercial galleries.

By providing an informal setting, they have created a free platform around contemporary Asian work where they invite all kinds of international cultural dialogue to occur. For example, John Ransom Phillips was another one of the artists Ud has worked with, he is American and creates images that contain allusions to Chinese sub-text.

With one exception, so far, Ran Tea House has been hosting the Ud program. The tea house also has programming of their own, which is how Echo originally found them. After a screening of the recently released documentary on the work of artist Ai Weiwei she approached the owner, and because their ideas were so similar, it was a natural fit. They set up a schedule for the events, and it has been a smooth collaborative relationship ever since. The only negative aspect that Echo observed is that she would like to find a way to bring in more revenue for the Tea House, and artists.

Jessie has been contributing customized desserts for each event, including a Japanese theme for the event highlighting one Musician from Kagawa.

“I really enjoy making dessert for UNTITLEDdialogue. And I try to relate the dessert to the theme of the dialogue as much as I can. It just makes everyone happy. I would never have thought that studying visual arts would take me to such a new and unexpected path.”

Jessie has applied to a Pastry Arts program at the French Culinary Institute next March. “Though it seems that I found my true calling in cooking and baking, I still love art. And who says food is not art? It is absolutely a work of art.”

Jessie hopes to continue to find ways of blending visual and culinary art experiences after Ud concludes.

In the future, Echo is interested in organizing gallery tours and in-studio visits rather than a program located in a singular venue. One of their events already has taken place at an artist studio (as opposed to the Ran space). Although the different setting can pose logistical challenges, it has the benefit of combining the artist’s network more easily with the network they have been building.

Echo cited a female Taiwanese author, Chen Mao Ping, as a rare female artist icon whom she admired. The author’s published work can be found under the nickname “Sanmao”, and became popular in Taiwan and mainland China in the late 1970’s. She also became infamous for her alleged suicide in 1991.

When asked to share any words of counsel for practicing artists Echo urged that artists must take the time to look into themselves. Everyone is very creative in the art world and trying to assert themselves. You can be influenced by others so easily that it becomes very important to take the time to be introspective and know your own creative goals, and artistic character.

“On October 21st, we’ll present our sixth event with gifted jazz singer and composer Le Zhang. The event will commence with a Jazz performance, highlighting recomposed Shanghai pop music from 1930s and 1940s. The performance will be followed by a talk about the story of “Shanghai Jazz”, the historical and current Jazz scene in Shanghai, and progressive fusion of Western Jazz culture and Chinese pop music in 1930s.” Read More….

​​Time: Sunday October 21st from 16:00 – 18:00
Location: Ran Space, 269 KENT AVE.
(BTW S1 STR. and S2 STR.), BROOKLYN, NY, 11211

Related Links:
Ud on Facebook

Exhibit Announcement: Joyce Lee

@ Capitol Skyline Hotel in D.C.
Thurs, Oct 4 – Sunday, Oct 7.

Announcing Joyce Lee at the (e)merge Art Fair. “Made in China” will be Ms. Lee‘s first foray into live performance with video installation! “Made in China” is an experimental work about luxury commodities, labor production, and global economies.

Also from Ms. Lee: “Perspectives: a Look through Cultural Lenses,” solo exhibition at Silber Gallery at Goucher College, Oct 30 – Dec 2. The opening reception will be Friday, Nov 9th from 6-9 pm. This show presents new video work of cross-cultural sensibilities made in response to previous work referencing western art history.

Artist JR tries to “change the world” into one where “Men pay tribute to Women” and waring communities stand side by side…

Possibly my new favorite artist, JR is a truly great citizen of humanity. His art provides dignity and empowers others to do the same around the world.

From TED’s website — Working anonymously, pasting his giant images on buildings, trains, bridges, the often-guerrilla artist JR forces us to see each other. Traveling to distant, often dangerous places — the slums of Kenya, the favelas of Brazil — he infiltrates communities, befriending inhabitants and recruiting them as models and collaborators. He gets in his subjects’ faces with a 28mm wide-angle lens, resulting in portraits that are unguarded, funny, soulful, real, that capture the sprits of individuals who normally go unseen. The blown-up images pasted on urban surfaces – the sides of buildings, bridges, trains, buses, on rooftops — confront and engage audiences where they least expect it. Images of Parisian thugs are pasted up in bourgeois neighborhoods; photos of Israelis and Palestinians are posted together on both sides of the walls that separate them.

JR’s most recent project, “Women Are Heroes,” depicts women “dealing with the effects of war, poverty, violence, and oppression” from Rio de Janeiro, Phnom Penh, Delhi and several African cities. And his TED Prize wish opens an even wider lens on the world — asking us all to turn the world inside out. Visit insideoutproject.net

“I would like to bring art to improbable places, create projects so huge with the community that they are forced to ask themselves questions.”

–JR, Beaux Arts Magazine

Coming to a locale near YOU:
(This one is right in my back yard!)

“The Inside Out project gets bigger in NYC, USA! Another eye from the Native American project is up on a building at the corner of Berry St and South 5. You can see it better from the bridge…” – JR’s website

JR’s update on the Inside Out project:

Time to come together


This Kickstarter is attempting to raise the funds to complete a very important documentary on Hip-Hop around the world in communities that are struggling to find their voice – whether in the midst of revolution or breaking away from globally propagated stereotypes.

Please donate to his fund!

Related Link: Nadia Al-Sakkaf Interview on TED
(Nadia is a totally inspiring Female Newspaper Editor from Yemen, who will also be  featured in Adam’s documentary)

Interested in Art, but don’t know where to stART?

Here are just a few online resources dedicated to bringing quality images and information from the cannon of art history (via the world wide web) to users like YOU! Take a look, and let me knowhow you feel about these new ways of interacting with visual art work.

WikiPaintings: From Wikipedia comes a media-specific site to navigate the complete history of painting (also, it looks like wikiArt was taken). They hope to expand the platform to cover all of art history “from cave artworks to the new talents of today.” In order to keep quality with breadth they began with painting. It functions like other Wiki pages – editable, and will grow with their user base and time.

Art Project: An informal way to peruse some of the world’s finest galleries from the comfort of your computer without any snooty-pants academics telling you not to touch or step back. You can zoom WAY in to see the quality of paints and search around by artist, location, or media type. Just don’t let this keep you from visiting in-person sometime.

Art.sy: Focused on contemporary art, this beta/members only database primarily consists of artists who are currently represented by commercial galleries, and the list is growing each day! Though this is for the more advanced or specialized user, I believe this will become more public soon, as it is not only backed by the creator of twitter, someone from Pandora, but also Larry Gagosian of Gagosian and Marc Glimcher of Pace Gallery.